
ASIN: B001LM6X0M
Category: DVD
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ASIN: B001LM6X0M
Category: DVD
Price: New Prices From :- £4.99
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ASIN: B001CT9OIM
Category: DVD
Price: New Prices From :- £4.86
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Editorial Review: Amazon.co.uk Review
There aren’t a lot of choices in a bee’s life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he’ll labour at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to see the world outside the hive and can’t begin to contemplate doing the same job for his entire life. Naturally, the life of the “pollen jock” bees appeals to Barry because it’s the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee law and speaks to a human named Vanessa (Renée Zellweger) in order to thank her for saving his life. A relationship quickly blossoms and leads Barry to the discovery that humans are stealing honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humour, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetitive thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the aforementioned films. Children ages 5 and older will love the bees’ silly antics, though many of the jokes will go right over their heads and parents should be cautioned about some mildly suggestive humour. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There’s even a lesson to be learned from the bees about controlling one’s temper. –Tami Horiuchi
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ASIN: B000TR6BAW
Category: DVD
Price: New Prices From :- £30.00
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ASIN: B002R59WLY
Category: DVD
Price: New Prices From :- £14.98
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ASIN: B002KAIVZY
Category: DVD
Price: New Prices From :- £8.77
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Dudley Moore, John Lithgow, Burgess Meredith, Judy Cornwell, David HuddlestonDirectors: Jeannot Szwarc
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ASIN: B002OSYFO8
Category: DVD
Price: New Prices From :- £11.68
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ASIN: B000IMVMFM
Category: DVD
Price: New Prices From :- £7.98
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Brandon Lee, Ernie Hudson, Michael Wincott, David Patrick Kelly, Jon PolitoDirector: Alex Proyas
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ASIN: B002IRDGCW
Category: DVD
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ASIN: B001COF3BY
Category: DVD
Price: New Prices From :- £6.48
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ASIN: B001G7PI5S
Category: DVD
Price: New Prices From :- £7.06
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Editorial Review: Amazon.co.uk Review
The feature film The X-Files: I Want to Believe is a satisfying if unspectacular installment in the X-Files series, taking place an unspecified time after the show’s nine-year television run. Former agent Dana Scully (Gillian Anderson) is now a doctor, while Fox Mulder (David Duchovny) is being hunted by his former agency and living in seclusion. He and Scully are summoned back by a case involving a missing agent and a former priest (Billy Connolly) who claims to be able to see clues to the agent’s whereabouts psychically, though his initial search turns up only a severed limb.
Don’t expect the usual cast of characters; the FBI has completely turned over (except for the George W. Bush portrait), and the only reason Scully and Mulder are back is because agent Dakota Whitney (Amanda Peet) remembers his success on similar cases involving the inexplicable. Don’t expect the same rogues’ gallery either; unlike the previous X-Files feature film, which was inextricably linked to the series’ convoluted mythology arc (and served as a bridge between the fifth and sixth seasons), I Want to Believe is a stand-alone piece that makes use of the series’ roots in horror/sci-fi and moody Vancouver, B.C., locales. Also unlike the previous film, which was almost self-consciously shot for the big screen, this film is on a smaller scale, like a double-length episode of the series. But it’s still a good reminder of the creepy vibe that hooked fans for years. And the relationship between Mulder and Scully? It seems to have resumed pretty much where it left off, at least when you take into account the long period of separation. But stick around for the end-credit sequence to take in all the possibilities for the future. –David Horiuchi, Amazon.com
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